audio:rephase
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| audio:rephase [2020/11/29 13:35] – [Maximum Response Peak Output] oscar | audio:rephase [Unknown date] (current) – removed - external edit (Unknown date) 127.0.0.1 | ||
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| - | ====== Rephase ====== | ||
| - | Rephase will be used to do the following: | ||
| - | - tweak the EQ filter settings generated by REW and; | ||
| - | - create the FIR filters for the BruteFIR software convolution engine that runs on Volumio | ||
| - | For each individual stereo channel do the following steps: | ||
| - | ==== Load Measurement ==== | ||
| - | From the file menu choose " | ||
| - | {{ : | ||
| - | ==== Adjust the visual ranges ==== | ||
| - | Sometimes the measurement graph from REW is not directly visible, because it falls outside the default visual range of Rephase window. Choose Ranges and adjust Frequency (20Hz - 20kHz) and Amplitude (-20 dB to 100 dB). | ||
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| - | ==== Import the REW filter settings ==== | ||
| - | The EQ filter settings generated by REW can be loaded into Rephase by: Under the " | ||
| - | After loading, Rephase displays the effects on the EQ settings on the frequenty displayed curve. The parametric EQ filters can be changed and optimized manually. | ||
| - | {{ : | ||
| - | ==== Configure parameters and generate filter ==== | ||
| - | Configure following rePhase parameters: set taps to 65536, rate to 96000, filename to the name of of the filter and choose directory in which rephase will create filter. | ||
| - | For simple EQ amplitude corrections use " | ||
| - | Hit generate to generate and save FIR filter | ||
| - | Save your work under File/Save settings | ||
| - | {{ : | ||
| - | ==== Maximum Response Peak Output ==== | ||
| - | Make sure that the target curve is completely below 0 dB. | ||
| - | After clicking on the generate button the maximum gain value is shown. See the "max response: -0.4 dB" in the example below. This value we be above 0dB if there is an EQ settings with positive gain in one of the banks. If this value is greater than 0 dB, you will risk distortion.A good setting is between -0.5 dB and -1.0 dB. | ||
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| - | This can be corrected by adjusting the potentiometer located under the first Rephase tab. | ||
| - | Why is it absolutely necessary to mitigate? Imagine a power surge at both 100, 1000 and 10000 Hz, exactly at the same time when recording. With the absence of phasing, the three power peaks arrive shifted in time: We can easily have 300° of phase rotation between 100 and 10,000 Hz. | ||
| - | With phasing, power peaks are added. | ||
| - | The digital part will be more in demand, hence the absolute need to attenuate. | ||
| - | The dynamics will be greater since the strong signal will be stronger, the weak signal will be weaker. | ||
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audio/rephase.1606656903.txt.gz · Last modified: (external edit)
